Ready Player One by Ernest Cline ★★★

Ready Player One by Ernest Cline
My rating: 3 of 5 stars
You know that thing, the thing that everyone else thinks makes you the nerdiest nerd to ever nerd? That thing is what this book is all about, and it's awesome.

Mostly awesome.

This book celebrates the geekdom of the 80s. The music, the movies, the books, but especially the games and technology. Because the 80s were full to the gills of new technology that allowed games to move from boards to computers and game consoles. It allowed awesomeness like this to exist:

--------------------------------------
Announcer: Are you tired of dad?
Boy: Dad, no one wants to hear your stupid Vietnam stories!
Announcer: Are you tired of mom?
Mom: Hi angel, do you want to read a book or go outside?
Boy: No!

(Degenatron!)

Announcer: The arcade comes to your living room, only without the creepy guys offering to show you puppies.
Boys: Awesome!
Announcer: With the Degenatron, you can play video games just like you are in the arcade!
Kids: Excellent!

(Degenatron!)

Announcer: The Degenatron gaming system plays three exciting games including Defender of the Faith where you save the green dots with your fantastic flying red square.
Boys: Cool!
Announcer: Monkey's Paradise where you swing from green dot to green dot with your red square monkey.
Boys: That's rad!
Announcer: And Penatrator where you smash the green dots deep inside the mysterious red square.
Boys: WOW!
Announcer: The Degenatron brings arcade realism to your living room. It can even take quarters and a strange sweaty man comes by to empty the machine on Fridays.

(Degenatron!)

Announcer: Degenatron, fighting the evil of boredom.

Boys: I'll never go to school again!

(Degenatron!)
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If you're not familiar with this, it's a fake commercial played on one of Grand Theft Auto: Vice City's in-game radio stations. GTA Vice City is set in 1986, and there are tons of references contained therein... Mostly of the 'did-they-really-just-say-that?' variety. The one above is a reference to the awful graphics of 80s computer and console games, and the creepy guys usually found around arcades. Speaking of which, anyone looking for a puppy? I know a guy...

Anyway. This book is exactly what GTA:VC isn't. It doesn't make fun of the atrocious 80s... it celebrates it. It celebrates the huge amount of innovation and change that occurred in that decade, and the huge amount of geekdom that fueled those changes. This book celebrates all that the D&D players have always dreamed... that they can do exactly what they love and hit it big by doing so.

That's what James Halliday did. He took his love of 80s pop culture and made it into the Moste Epice Queste EVAR before he died. He created the world's first truly immersive virtual reality game and free education system that is as vast as imagination itself, The Oasis, and promised to leave it and his megabillions (really) to the first person who successfully completes his quest: Find 3 keys, go through their respective gates, and then find the egg.

Enter 'Parzival' aka Wade Watts, 18 year old orphan (does one still count as an orphan once they've hit their majority?) who is obsessed with finding the egg and winning the ultimate prize. But maybe more than the desire to win is the desire to prevent the Sixers from winning. The Sixers are employees of The Oasis's rival corporation, who would love nothing more to win the Oasis cash cow and then start milking it dry. Instead of free use (services, such as transportation, is paid for in the Oasis, but logging in is free), there'd be a monthly fee, higher fees for everything and ads galore, which in the hard times of economic collapse shown in the book would reduce the availability to only those rich enough to pay. In other words, they'd ruin the only sanctuary that millions of people have from their hard day to day lives.

The first 3rd of this book was AWESOME. The parts of the book pertaining to quest and battles were awesome. The concept and the detailing and the story was all awesome. There were some parts that were so exciting I couldn't put the book down, but then there were others that were a bit frustrating or (dare I say it?) boring. So brace yourselves... I'm about to start inventorying my complaints.

This book seemed to go in waves. Something thrilling would happen, and then it would shift to very not thrilling. Then after a while, it'd start to build momentum again, and then the same thing again. So it was a little hard to keep my interest going the whole time, because I don't think that I need to know every single detail of the components of Wade's apartment or his gear for logging in and using The Oasis. I don't know what any of it means anyway, though I can guess it's pretty cool. It just got a little tedious and I got impatient to get back to the quest.

Likewise with the romance. Let me just say up front that I know Wade is 18, and has never really interacted with girls before, let alone an awesomely popular famous hottie girl who just HAPPENS to have all of his same interests and hobbies and whatnot in common with him, so I know it is unfair and unrealistic of me to get irritated by the romance element to this story... but I did. I just didn't much care. Just ONCE I'd like to read a story with a young adult protagonist that doesn't have a romantic theme, or at least not an insta-love one. It just got a little tedious and I got impatient to get back to the quest... again.

Then, the dialog. Oh goodness. It was awkward. It FELT awkward. Too forced and too "hip" and too everything, especially Aech's slang, and it felt fake. Didn't work for me there.

Finally, we come to the issue of death. I feel like the way death was portrayed in this book was somewhat ridiculous. First, let me say that there were two kinds of death: avatar death and real world death. Avatar death means that your Oasis character dies, you lose all your stuff (status, inventory, credits/money), and you start over from no0b status. Real world death means you, the person who exists in the real world, actually die, for realzies, no do-overs, no resets, no reloads, you're just dead. D-E-D, dead, as my daddy would say.

Now, there were a couple of RW deaths, and it was one of these where I couldn't put the book down. It was crazy intense and I just had to know what was gonna happen next. But for all the intensity, it didn't seem to register much on Wade's "Oh Shit!" scale, at least not when it came to avatar death. There's a scene where a big battle is going down, and avatars are rushing in to do battle without hesitation, knowing that it could mean their death, and it was portrayed as really brave and harrowing. And I wondered to myself... So what? Why the dire reaction? It's just some data in a server somewhere that would be zeroed out and that person could create a new one. It's not a real life-or-death situation, so I don't really feel like it was all that brave.

But then on the other side of the coin is the fact that the bad guys could go after Oasis players and Real World kill them. Yet at the end, there's no tension around this possibility, because deus ex machina arrived to provide the way, or it was just conveniently forgotten that the real world existed in the heat of battle... or probably both.

So... While I really did enjoy this one, obviously I had some pretty large issues with it. It was a fun story, and I have already recommended it to a few of my friends that I think would enjoy it, but I admit that I wish I'd enjoyed it even more than I did.

I'm very curious to see where Cline goes from here though. I'd definitely pick up his next book, and in the end, that's really all that matters, isn't it?

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Review: Leviathan Wakes by James S.A. Corey ★★★★★

Confession Time: I'm very bad at categorizing genres and sub-genres, so it didn't dawn on me that Leviathan Wakes would be considered a "space opera" until I saw it in the genre listing on the book's Goodreads page. I still don't really know what that is (space opera, not a Goodreads page), despite having read the Wikipedia page and stuff. I think of "space opera" and this comes to mind:

Probably not the same thing.

But I did realize that my last attempt at reading a "space opera", The Warrior's Apprentice, left me distinctly underwhelmed.

So, if not for Audible, this book was probably a Lifer. By that I mean a book that will just sit on my radar forever, but never actually get picked up and read -- at least not for a long, long time. I have lots of these, unfortunately. There are just too many books, and too little time in the day. (If only my job would stop being so insistent that I show up!)

How did Audible, that evil (MWAHAHAHA!) Amazon company, factor in you ask? Well, not only did they give me a $10.00 credit for my 1 year anniversary of having an account with them (woohoo! free money!), but then they also put this audiobook on sale for $4.95. So Audible bought me this audiobook. And it rocked. Thanks, Audible!

So let's get down to business and talk about how much I loved this book.



Wait, wait... no... I was right before. This much:



Because I loved The Fifth Element, and I loved Leviathan Wakes.

This book had everything. Great, believable, and realistic characters, an interesting plot, fantastic scope and worldbuilding, just the right amount of plausibility to make it terrifying, brilliant humor that was perfectly timed and hit just the right notes to make me laugh out loud, and it had what were awesomely called 'vomit zombies'.

In fact, the only thing I can find to criticize, and it's more of a nitpick, is the overabundance of saids peppering the narrative. Holden said, Miller said, Naomi said, Fred said, Amos said, etc etc etc. Listening to the many saids being read was a little tedious, but only occasionally; it was mainly noticeable during long stretches of pure dialogue.

Otherwise, I loved everything about this book, and the reading. The reader did a great job at letting the story do the talking, and despite only getting to listen to this in small chunks at a time, I was engrossed in the story.

I loved the characters, and especially enjoyed the way that the two main characters, Holden and Miller, interacted with each other. They are from different sides of the personality spectrum, with two completely different ways of handling a situation, but when the shit (or the zombie vomit) hits the fan, they effortlessly slip into "Let's discuss this when we aren't dead" mode, and just kick ass. I loved it. I thought they complemented each other wonderfully, and the arc of their working relationship was realistic and understandable, from both sides.

Which brings me to the dual narrative. This story is told by alternating viewpoint chapters, and I thought it worked perfectly. We get to see things from two different perspectives, and it allows for so much more story information to be conveyed without huge info-dumps. I liked the noir detective story feel of Miller's chapters, and it contrasted nicely to the more high-tech, adventure feel of Holden's chapters. And then when they run into each other and become a sort of hybrid, I loved that, too.

Speaking of the technology, I thought it was brilliant. We've colonized other planets, and moons, and we can mine ice from Saturn's rings, and travel through space at 7+ Gs. The methods of combating nausea and blackouts during travel at these speeds is interesting, and plausible. The technology that allows us to live on little rocks millions of miles away from the sun is fascinating. But it's still familiar, in a way. RADAR and LADAR are things I've heard of. It's not too much of a stretch to get from where we are now, to where this story shows us in just a few short centuries.

The Protogen project is also plausible, and frankly terrifying, as is the reaction to it. I was totally Team Miller on this one, despite usually landing on Holden's side of the opinional axis. I shudder to think of situations like the ones depicted in this book, and can't help but think that it would happen exactly like this if it were to one day come to pass. I would hope that we've learned from past mistakes... but we don't. This is not-too-distant-future, where we've colonized the solar system, but we're still human. Racism and bigotry is larger scale, because our bodies have adapted to living off-earth, but our minds are still stuck in the 'us vs them' small-town mode, and now we just have more differences to divide us.

But I digress. I loved this book. I loved the world(s), and the characters, and, well, everything. This worked perfectly as a stand-alone novel, but I definitely cannot wait to read more of this series.

Review: The Man In The High Castle by Philip K. Dick ★★★★

Preface: I chose this book for my very first real life bookclub meeting ever. There was also much drinking (by me) at this meeting, so... if my review is less than coherent, well, actually, I think that's fitting, isn't it?

So, right. I chose this book blindly. Never read PKD before, although I have seen a few of the movies based on his work, and they are all interesting, to say the least. Having just read the amazetastic 11/22/63 by the King, I was in something of an alternate history mindset, and so TMITHC was chosen.

Nerves were on edge while I anxiously awaited the meeting to see what people thought. Hell, to see what I thought, even, because I finished it literally minutes before the meeting. Because I'm a slacker procrastinator who barely started it this week and read 90% of it between last night and today. So, I was pleasantly surprised to find that I enjoyed this quite a lot, even though "enjoy" isn't really the word that comes to mind first... maybe "pondered"? Let's try that one out: "I pondered this quite a lot." Yes. That works. I pondered, and I discovered that I arrived at many more positive feelings than negative, and thus the term "enjoyed" enters into my vocabulary. I'm pleased to announce that my bookclub-mates also arrived at ponder-positive assessments. Bookclub choice #1: Success!

I feel like this is the type of book that begs to be re-read. I don't feel like I really "got" very much of it... or maybe I do/did and I'm
just overthinking it? I don't know. Parts of it really frustrated and unnerved me, and I found myself angrily typing notes on my nook, like how "Lotze can go screw himself the shit" and "yay!! Baynes - show that shit what fear is!" and "seriously?!??!" (These are actual notes that I made while reading. That last one makes sense in context, I promise.). Parts of it were disturbingly unnerving in a "can't look away from the train wreck" kind of way. Fascinating and horrific at the same time.

There were some very interesting concepts in this book, and I thought that PKD did a fantastic job at capturing the different cultural nuances of both the Japanese and Germans. At first I was concerned that I wouldn't like the book because the writing was off-putting. Clipped sentences. No connecting words. Interrupted thought proc--. Then I realized that this was on purpose, after it switched for a bit, and I was actually really impressed. It worked well. The concept of Place was interesting to me, though not because I'd want to live with it. I would be Place-fucked because I can't be bothered to constantly worry about the formality of every single situation. Seriously, who has time to worry about whether the random person on the street is judging you for carrying your own bag, or walking when you could take a cab? Not me. No Place Becky, that's what they'd call me. But hey, at least I know my Place. Zing!

Anyway... I really enjoyed this book, and I'm looking forward to reading more PKD in the future. Yes indeedy. :)

Review: The Knife of Never Letting Go by Patrick Ness ★★

I've heard so many great things about this series, and about Patrick Ness in general, that I was very excited to read this series. After reading the prequel, The New World, and his standalone novel A Monster Calls (and adoring it), I was really looking forward to this one. Unfortunately, I find myself disappointed.

Todd lives on New World, which is a relatively new (20 year old) colonization full of people from Earth. In Prentisstown, the settlement where Todd lives, there are no women, and the men hear all the other 164 mens' thoughts, called Noise, constantly. There's no escaping it. He has been taught that the Spackle released a germ that caused the deaths of all the women, and that the same germ caused the Noise, and also allowed animals to talk.

So when Todd finds a quiet patch out near the swamp, everything in his life changes and he's ushered out into the greater, supposedly empty, world with only his dog Manchee to accompany him. Of course he then begins to find out that things aren't exactly the way he'd been told.

Sounds intriguing... but it just didn't work for me...

Friday Flashback Review: Blindness by Jose Saramago ★★★★

Friday Flashback is hosted by Jen @ The Introverted Reader.

This was definitely a thought provoking book.

What would the world be like if we all suddenly lost our ability to see? Would we try to help and protect each other or would we adopt such a heightened sense of self-preservation that it would make every other living being an enemy? Would we lose our humanity along with our sense of identity...?

It took me a little while to get the feel for this book, literally. Dialogue was reduced to a disorienting jumble of voices, which was effective in making sure that I heard the story rather than seeing it in my mind.

In addition, the narrative was purposefully obscure, with an absolute minimum of visual descriptions. The only real descriptions we obtain through the doctor's wife are of the dirtiness and depravity that we do not wish to see.

There were sections of this story that I found atrocious and horrifying, but not unbelievable. But all the while, there is an underlying sense of hope that makes the story beautiful and unforgettable.

Originally reviewed: October 6, 2008.

Review: The Running Man by Stephen King ★★★

The Running Man by Stephen King
My rating: 3 of 5 stars

This was a pretty good story, but quite different from what I'd expected. Of course I knew it was a dystopia, and centered around a game-show, but other than that, I didn't have much idea about the story. I've never seen the movie - and looking at IMDB right now, that's probably a good thing - so I didn't even have those misconceptions to deal with. Ben Richards is not an ex-cop who was wrongfully accused of anything. He was born into the wrong economic situation and grew bitter because of it. Working in a factory known to cause sterility at best, he quit in order to try to have a child... and makes the mistake of telling the truth about why he quit, which blackballs him from finding any other steady work. He and his wife finally succeed in conceiving, but there's still no work to be had, so they have no food, no medicine, barely a place to live, thanks to Ben's wife who prostitutes herself out to try to make ends meet. When the baby gets pneumonia, Ben gets desperate, and signs up with the Network to appear on a game show for money.

The one he makes it on is The Running Man. Here's the deal: 1 man tries to last a full 30 days with a team of hunters chasing him, and the Network setting the citizens against him. If a citizen turns him in and he is killed, that person gets a reward. If he makes it, the contestant gets $1 billion New Dollars. For every hour he remains alive, the contestant (or his family when he's killed) will receive $100 ND. He only has to film 2 10-minute tapes and mail them to the Network every day, or defaults and wins nothing... but is still hunted.

So this is what Bitter Ben signs up for. But he's smart, and his game show experience turns out to be like no other.

This was kind of brutal, but being a Bachman book, that's to be expected. But there was also a kind of 'skim' feel to the story. Things didn't really delve all that deep, like with the pollution and corruption, etc, but it doesn't really NEED to. The context is enough to get it, but it would add a lot if it just had that extra something.

I found myself wondering about the Network. The cynical part of me kept wondering how people could trust their promises to pay and not rig the game. Desperation, I guess. But then I got to thinking about how the Network goes out of its way to demonize the contestants participating in The Running Man, turning everyday citizens into blood-thirsty vigilantes who think that they are working towards a greater good in ridding their country of criminals... and I started thinking, "OK, so, if a contestant makes it the full 30 days, and suppose the Network does stand by its promise to call off their dogs and pay out -- who is to call off the citizens? Those people who've been lied to and manipulated and think that the contestant really is as bad as they've been told? THEY won't stop thinking that the contestant is a criminal just because they were smart and wily enough to evade the hunters for a month... if anything that would reinforce their suspicions that they play by their own rules. It's a losing game all the way through.

Ben definitely plays by his own rules, and the way things work out was not at all what I expected. I thought it was a good ending.

I will say that there were a couple things that I found kind of distracting though. First, King's depiction of the future was a little off, mainly in terms of money. I know he's no fortune teller, but I couldn't help but think that he was using 1970s pricing in the story, and then just labeling it "New Dollars" to make it more futuristic sounding. Things like buying a baby crib mobile for 10 cents. Or getting narcotics for $3. I'd have found it much more believable if he had made the prices of things so ridiculous that a billion dollar prize would have seemed reasonable.

Secondly, as the main hunter, Evan McCone was really disappointing. This guy is supposed to be the most ruthless, the most fearless, the most resourceful and clever killer out there. His job consists of hunting down Running Man contestants and killing them on national TV. But I thought he was pretty... average. *sigh*

Overall, I liked the story, but I can't say that it's a favorite. Definitely worth a read though.

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Review: Crusade by Nancy Holder & Debbie Viguie ★★

I received this book as part of an ARC tour from Star Book Tours. I had actually forgotten that I had requested it, and when it showed up on my doorstep, I was a little surprised. But opening it up, I can see why I would request it - it looks like it would be awesome. Dark and gritty and bloody, just like a vampire book should be.

In in many of those aspects, this book delivered wonderfully. The vampires were vicious and cruel and bloodthirsty, and there wasn't a sparkle to be seen. The fights were pretty intense, and the action was written well and was exciting. I also liked the political facets of the story, and how they corresponded with other wars from our past. History repeats itself, just with a new bad guy each time around. If these are the things that you're looking for, you will enjoy this book, and probably the series.

I was hoping for a little more, and so I admit that I am a bit disappointed with this one. I think that this book had great potential, but I think that it got lost on the way.

First, the characters didn't feel authentic to me. Almost all of them were very stereotypical and one dimensional to me, with few exceptions. Holgar was one exception. I loved his character throughout the story until the last 50 pages or so, until he seemed to change before our eyes into someone suddenly dark and secretive - most likely a lead-in to the next book in the series. The same with Father Juan. We're supposed to ask: Who are they really?

The rest of the characters didn't do much for me. Jenn was at her most interesting when she was on her own. With the others, she was bland and boring. The group dynamic quickly got on my nerves with all of the in-fighting and I kept thinking that they would be better off if they went their separate ways and each had a book to follow their adventures alone. Maybe then we'd get to see more of their character and the focus would help them to come alive. I doubt that will happen though.

Then there is the writing itself, which was inconsistent. I know that the edition I read was an uncorrected edition, so I'm not talking about the grammatical errors or spelling errors, but the writing itself. For example, in the midst of running for her life from a pack of vampires who want nothing more than to kill her, and trying to rescue her sister from still more vampires, we have this:

"The sun was setting; she could feel it as surely as she felt the pounding of her own heart.
The heart that beat for Antonio."

It then goes on to talk about how afraid she was that she would never see him or her sister again. And then back to Jenn trying to save her own life so that she could try to save her sister. It just seemed incredibly out of place to insert a line about her heart beating for someone else when she is literally running for her life. I know that in times of stress and fear, we think about those we love, but the line itself is strange and awkward to me, like it was inserted to create a relationship link to him.

Not to mention the chapter headers that contain Jenn's diary entries. These are written in such flowery and formal language that it doesn't mesh with the self-conscious and unsure 17 year old "Just Jenn" from the rest of the story.

And then finally, my biggest issue with the book is the way that religion and faith is handled. This book could be considered a Good vs Evil story, and so it stands to reason that a certain amount of religious comparisons could be made. That isn't really my complaint, although it does get quite preachy at times.

My complaint is that in this mixed cast, we have several different religions and belief systems interacting with each other, but no matter which belief system a character lived by, they approached it in a Christian-oriented way, or otherwise acted in Christian ways that did not fit with their own beliefs. I felt like, since it seemed that it was a deliberate choice to have so many different personalities and faiths, they should have rung more true, rather than all centering around what is referred to more than once in the book as the "One True Faith".

For instance, we have a Wiccan "White Witch", who practices magicks and worships the Goddess and the moon and nature, etc. But then, in a moment of uncertainty, she considers going to a Catholic priest to give her absolution, rather than relying on her own beliefs. This is just one of the examples of this from the book, and there are quite a few. This, more than anything else, made this book less than enjoyable for me. I couldn't help but wonder: Why go to such an effort to include the variety of religions and faiths if the characters do not act according to them?

I think that if handled differently, this book could have been a very enjoyable one for me. I think that people should believe what works for them, but this just felt like the message we were supposed to take away is "You can believe whatever you like, but in the end, it's all the same thing, you'll see."

Overall, I thought that this book was OK. I think that people who are just looking for an exciting read will really enjoy it, especially those who are fans of Buffy the Vampire Slayer.

Review: Mockingjay by Suzanne Collins ★★

I am probably one of the last people on Earth to read Mockingjay. It was one of the most highly anticipated series ending books ever. Everywhere I looked someone was talking about it - counting down the days till release. There was ARC craziness and spoiler worries and giveaways offering the book sprouted up like weeds (including one of my own!), but I just now got around to reading it myself, and I was more than a little disappointed by it.

Without further ado... My Mockingjay review.

I'm really torn on what to rate this book. I went back and forth between 2 and 3 stars a few times, but I ended up going with 2 stars for a variety of reasons that I hope I'll be able to convey. I don't think that it was terrible, I was disappointed and irritated by quite a lot of it.

I will try not to spoil the plot, but if you haven't read the book, read the following at your own risk:

First things first... In The Hunger Games and Catching Fire, I cared about Katniss and Gale and Peeta. They were just these kids who were unlucky enough to live in this society that puts on this horrific event every year. They were born into hard lives of hunger and uncertainty and fear and control, and then victimized and picked off annually for the entertainment of the nation. I felt like I understood Katniss in HG (Hunger Games) and CF (Catching Fire). She didn't have a choice how to live, but she did her best to make a place for herself and do what she could to survive and not become a monster. The same went for Gale and Peeta - they did what they could do and tried to be decent.

But in Mockingjay (hereafter called MJ), I didn't feel like I knew the characters at all! I know that there had been a lot of changes and a lot of hard choices and pain and all of that, but in a matter of 6 weeks from the end of the Quarter Quell that ended CF to the beginning of MJ, it's like ALL of the characters that I loved and knew had changed into cruel, angry and unrecognizable goblin versions of themselves. I was really hard pressed to find anything redeeming in any of them quite a lot of the time.

Katniss is aloof, angry, consumed by self-loathing and guilt, and just shuts down and shuts everyone out. Gale has become this cold, calculating tactician who has none of the warmth that he had before - not even when it comes to his best friend who is clearly struggling. They argue and fight all the time, even when Gale is supporting Katniss - and even during these times (because he DOES stand by her), she is horrible to him and everyone else. Selfishly acting like she's the only one to have suffered or feared anything.

And that's not even to mention Peeta. He is nothing, NOTHING, like the Peeta we knew in HG & CF. Granted, he has valid reasons (more valid than Katniss's selfish ones) for this change, but it was frustrating all the same - and even more so because of the way that Katniss reacted to him.

Again I will stress that I understand the pressure that they were all under, and the atmosphere of fear and uncertainty and impending war and all that. I understand it, and even appreciate it, but I felt like the way Collins handled it stripped Katniss, Peeta and Gale of their humanity. These are teens who have had to live through situations that most adults have never lived with - the pressure is intense. But I couldn't really care about any of that because these characters seemed so robotic and cold and unreachable. All of them. And that's incredibly disappointing to me. Even when Katniss and Gale were allowed special privileges to go hunting together as they used to, there was not really any closeness or friendship or support between them, no vulnerability. You'd think that they would rely on each other for support, but the relationship was completely one-sided, with Gale supporting Katniss and Katniss acting like the world is on her shoulders alone. I wanted her to rely on him - ANYONE - and let go a little... to not hold everything inside. To be human. But even when she did break down, it was so clinical and sterile I just couldn't care.

Buttercup the cat, who had, at best, bit parts throughout the series, evoked much more emotion from me than any of the major players. Yes... A cat. And Prim is her usual, wise-beyond-her-years, caring, bundle of goodness and strength. I loved her. She is really the only human character next to Finnick, who I came to really like in this one. He was vulnerable and human.

So, yeah. My main complaints were regarding the characters themselves. Many times they would act completely out of character, Katniss especially, and I found it frustrating.

=====================SPOILER========================
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For instance... After wallowing for the entire book and keeping a running list of all the people who have died or been hurt by her actions, Katniss votes YES to hold one last Hunger Games with the Capitol's children, so that they know how it feels. WHAT??? After going through two of them herself, trying to save as many as she could, after becoming the Mockingjay to END the regime that forces the Hunger Games on the people of Panem, she would vote yes to send more innocent kids to slaughter? That makes no sense to me at all.

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=====================END SPOILER====================

And then I have to say that the way the end was resolved didn't make sense to me. The twists, yes, they made sense and weren't unexpected. But I didn't really feel that Katniss was A) given enough information to lead her to the conclusion she came up with or B) clever or shrewd enough to get there on her own. And if she was, which again would be out of character, then why was this not conveyed? Katniss is telling this story - we get her every thought - even when all that entails is a refusal to think of something.

I wasn't disappointed by the relationship aspect - or lack thereof - in this story. Considering that I didn't really like or care about any of the characters, I wasn't exactly sitting on the edge of my seat with fingers crossed hoping for a certain outcome. It was not what I'd expected, but I was OK with it.

Regarding everything else, I thought that the dystopian themes and the events in the story (almost all of them) were good, and the pacing was great. Not everything was wrapped up how I would have liked, but it is a definite end, and for that I'm glad, because I don't see how another book in this series would be an improvement for me. I can see why some would really like this, but all in all, I was not thrilled with it.
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Since writing that review earlier, I've thought of more stuff that I should have included in it, like (Spoilers!) how the situation regarding Prim's death felt like it was manipulated by Collins to point at Gale being responsible, which felt like a ploy to shift all of the shippers to Peeta's team and make Katniss hate him, and subsequently Gale moving to District 2 and ending all communication with Katniss. This is so out of character for him - the guy who stood by Katniss through thick and thin and never wavered, I just can't imagine him giving up on her, or her casting him completely out of her life. (End spoilers.)

There's just so much that I felt was out of character and misrepresented. It seems silly to use that word since the story is Collins', but it feels true. It's like Mockingjay forgot who it was really about. I felt like the characters that I loved were gone, and there were angry, sullen, vicious strangers in their places. Very disappointing.